YIQ to CubeHelix Converter - Color Space Converter

Also known as the YIQ color space.There are 3 channels in total, Y,range from 0 to 1.I,range from -0.5957 to 0.5957.Q,range from -0.5226 to 0.5226.

Origin: The YIQ color space was specifically designed for the North American NTSC color television standard to accommodate compatibility between color and monochrome television broadcasts.

Primary Names: YIQ color space, where 'Y' represents the luminance component, 'I' represents the in-phase component, and 'Q' represents the quadrature component.

Typically expressed as a triplet, for example: YIQ(0.5, 0.2, 0.3) represents a color with specific luminance and chromaticity.

Usage Scope: Mainly used in the North American NTSC (National Television System Committee) color television broadcasting system. Although less used in modern digital technology, it played a significant role during the era of analog television.

Additionally, the YIQ color space allows old black and white television receivers to receive and correctly display the luminance signal from color broadcasts without interference from the color information.

Also known as the CubeHelix color space.There are 3 channels in total,Hue,commonly referred to as h,range from 0 to 360.Saturation,commonly referred to as s,range from 0 to 4.614.Lightness,commonly referred to as l,range from 0 to 1.

The CubeHelix color space was designed by Dave Green to create gradients that are visually uniform in both color and greyscale.

Known as the CubeHelix color space.

A color gradient is created by defining a starting hue and number of rotations while controlling changes in brightness and saturation to ensure visual consistency when converted to greyscale.

CubeHelix is particularly suited for scientific visualization, especially when images need to be converted to greyscale for printing or viewing by individuals with color vision deficiencies.

The advantage of CubeHelix lies in its ability to produce gradients that are continuous and uniform in both color and brightness, avoiding the jumps in brightness or color distortions often encountered in other color spaces.