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JPEG to ACEScc Converter - Color Space Converter

JPEG color space introduction

Also known as the JPEG color space.There are 3 channels in total, Y,range from 0 to 255.Cb,range from 0 to 255.Cr,range from 0 to 255.
The JPEG standard was created by the Joint Photographic Experts Group and was officially published as an ISO standard in 1992.
JPEG, which stands for Joint Photographic Experts Group. The file format is typically .jpg or .jpeg.
The compression method involves transforming the image to a frequency domain using a Discrete Cosine Transform (DCT), quantizing the frequency components, and then encoding the result. JPEG images also support various levels of compression, which can be adjusted to balance image quality and file size.
JPEG is ubiquitous in digital photography, web graphics, and online image sharing due to its efficient compression methods.
JPEG uses a lossy compression technique, which means that some image quality is lost in the compression process, but the reduced file size is useful for storage and bandwidth considerations.

ACEScc color space introduction

Also known as the ACEScc color space.There are 3 channels in total,Red,range from -0.35828683 to 1.4679963120447153.Green,range from -0.35828683 to 1.4679963120447153.Blue,range from -0.35828683 to 1.4679963120447153.
ACEScc is part of the ACES (Academy Color Encoding System) workflow, developed by the Academy of Motion Picture Arts and Sciences to provide a standardized color management framework for the motion picture production, post-production, and archival industries. It is specifically designed for color grading and correction processes.
ACEScc, stands for Academy Color Encoding System - Color Correction.
In the ACEScc color space, colors are represented through Red (R), Green (G), and Blue (B) channels, specifically designed for high dynamic range and wide color gamut imagery.
ACEScc is primarily used in color grading and correction for film and video, especially in professional post-production environments.
ACEScc provides film and video professionals with a unified and consistent approach to handling color, particularly when transferring and matching colors across different cameras, formats, and display devices.

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