CMY to CubeHelix Converter - Color Space Converter

Also known as the CMY color space.There are 3 channels in total, cyan,commonly referred to as c,range from 0 to 100.magenta,commonly referred to as m,range from 0 to 100.yellow,commonly referred to as y,range from 0 to 100.

Source: CMY is based on the subtractive properties of color related to printing. It takes into account the ink or dye absorbing certain wavelengths of light from white light, thereby displaying color.

Primary name: CMY, which includes the Cyan, Magenta, and Yellow color channels.

Usage: Although CMY is not as commonly used in professional printing as CMYK, it is useful in understanding the basics of color mixing and printing. CMY color mode can also be found in certain digital art and design software.

Additionally, it's important to note that, in contrast to the RGB color space, CMY and RGB are complementary. Theoretically, Cyan (C) is the complement of Red (R), Magenta (M) is the complement of Green (G), and Yellow (Y) is the complement of Blue (B). Thus, CMY and RGB can be converted through corresponding relationships.

Also known as the CubeHelix color space.There are 3 channels in total,Hue,commonly referred to as h,range from 0 to 360.Saturation,commonly referred to as s,range from 0 to 4.614.Lightness,commonly referred to as l,range from 0 to 1.

The CubeHelix color space was designed by Dave Green to create gradients that are visually uniform in both color and greyscale.

Known as the CubeHelix color space.

A color gradient is created by defining a starting hue and number of rotations while controlling changes in brightness and saturation to ensure visual consistency when converted to greyscale.

CubeHelix is particularly suited for scientific visualization, especially when images need to be converted to greyscale for printing or viewing by individuals with color vision deficiencies.

The advantage of CubeHelix lies in its ability to produce gradients that are continuous and uniform in both color and brightness, avoiding the jumps in brightness or color distortions often encountered in other color spaces.